This set’s only other true sci-fi outing is “Beyond the Sea,” set in a stylish alternate version of 1969 in which astronauts can transfer their consciousnesses between their space-bound real bodies and their realistic robot replicas on Earth. Embargoes forbid me from saying too much about how her predicament plays out, but suffice it to say it’s classic Black Mirror - a darkly funny mind-bender that weaves together modern anxieties about surveillance, the emptiness of “content,” and what precisely we’re signing away in those terms-and-conditions pages we never bother to read. By that, I mean the exact moment that finds you sitting down to watch “Joan Is Awful” on Netflix: Its heroine, Joan (Annie Murphy), is an ordinary woman who opens up Netflix (sorry, “Streamberry”) one evening to discover the service’s latest release is a Salma Hayek Pinault drama based on the most intimate details of the day she’s just had. The lone exception to this rear-facing perspective is the premiere “Joan Is Awful,” which takes a puckish, Charlie Kaufman-lite approach to the current moment. To wit: Three of the tales are set in earlier decades, while a fourth unfolds in the present but mainly focuses on events of the past. Taken as a whole, though, it’s striking how much less emphasis is placed on extrapolating from TikTok or ChatGPT, and how much more on our already realized past and present. Cast: Zazie Beetz, Samuel Blenkin, Monica Dolan, Paapa Essiedu, Josh Hartnett, Salma Hayek Pinault, Myha'la Herrold, Kate Mara, Annie Murphy, Aaron Paul, Daniel Portman, Clara Rugaard, Anjana VasanĪs in previous years, each of the five new installments on Netflix (running 40-80 minutes each) functions as a stand-alone narrative, linked only loosely through sporadic Easter eggs.
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